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MASONRY
VAULTS -
THE EAST AND CENTER WINGS
In his
construction of the Treasury Building, Mills used only masonry vaults.
Vaulted construction, using barrel and groin vaults, and sometimes domes,
to distribute the weight of the ceiling and roof, is an ancient form
of building, once used extensively by the Romans. The groin vaults that
Mills used in the office spaces of the East and Center wings of the
Treasury Department generated an efficient repetitive module that he
could extend throughout the building that he constructed. These modular
spaces lined either side of two barrel-vaulted corridors that intersected
each other at a dramatic staircase.
 
Photograph of a groin vault - an intersection of
two barrel vaults - at the intersection of the East and Center corridors
on the second floor. The office spaces in the East and Center wings
of the Treasury Building are the same.
The charge that
Congress gave to Robert Mills, to construct a fireproof office building
for the Treasury, determined the shape, feel, and size of the spaces
on the interior of the two wings that he constructed. The spaces were
dynamic, with the groin and barrel vaults clearly expressing the forces
and tensions held at bay by the strength of the construction. Each space
looked like the one next to it, but was distinct and separate compartmentalized
by masonry walls supporting the weight of the building

This A floor plan of the 1817 Treasury Building,
including the fireproof extension built by Benjamin Latrobe, drawn
by Robert Mills in 1833, soon after it burned.
The
very strength of the construction, however, was directly responsible
for one problem with Mill's wings of the Treasury Building. Because
each wall was an essential part of the structure, the spaces were inherently
inflexible. To breach or remove any wall without adequate compensation
compromised the structural integrity of the building. The repetitive
module that worked so well, both as a design tool for Mills and as a
means to make the building fireproof, was also the principal limitation
of the building.
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Office of the Curator
All rights reserved. 2001
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